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in some cases these men would perform multiple parts, wearing different masks to signify each part.[17] Most playwrights of this period also utilized their craft for social commentary, particularly in their comedies, while tragedies provided an “outlet for the social conscience.”[18] Scholar Abbey Elder examines a variety of Ancient Greece’s most popular comedies and tragedies containing themes of literal crossdressing and subversive gender deviance, but for the sake of this analysis I shall only refer to the more direct examples as evidence

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